Butler,
Gregory G.; Greer, Mary Dalton; Stauffer, George B.
(eds.): About Bach (University
of Illinois Press, 2007)
Bach-Dokumente
Bd 7: Johann Nikolaus Forkels Bach-Biographie (Leipzig
1802): Kritische Edition und Materialien, vorgelegt und erläutert von
Christoph Wolff, unter Mitarbeit von Michael Maul. 2007.
Johann
Sebastian Bach. Vier Zeugnisse für
Präfekten des Thomanerchores 1743-1749. Faksimile und
Transkription hrsg. von Andreas Glöckner Kassel:
Bärenreiter-Verlag (2009)
Nekrolog
or Obituary Notice of
Johann Sebastian Bach [by Carl Philipp Emanuel Bach, Johann
Friedrich Agricola, and Lorenz Christoph Mizler] - Translated with an
Introduction, Notes and Two Appendices [by] Walter Emery. (A facsimile
of Emery's manuscript dated 1942) (London:
Travis and Emery Music
Bookshop, 2009)
Erickson, Raymond: The Worlds
of Johann Sebastian Bach
(Amadeus Press, 2009)
Carrington,
Jerome: Trills
in the Bach Cello Suites: A
Handbook for Performers (University of Oklahoma Press,
2009)
Siblin, Eric:
The Cello Suites: J.
S. Bach, Pablo
Casals, and the Search for a Baroque Masterpiece (Anansi,
2009)
Göncz, Zoltán:
Bach testamentuma. A
fúga
művészete filozófiai-teológiai
hátteréről. (Budapest: Klasszikus és Jazz
Nonprofit Kft, 2009)
Forthcoming books and
editions
Rose, Stephen: The Musician in Literature in the Age of Bach (Cambridge: Cambridge University Press, forthcoming)
Schulenberg, David: An Enigmatic Legacy: The Music
of Wilhelm Friedemann Bach (Univ of Rochester Press, 2010)
Wolff,
Christoph: Johann
Sebastian Bach - the Composer &
His Music (W W Norton, forthcoming)
Applegate,
Celia: Bach
und die deutsche Nation (Salzburg:
Pustet, forthcoming)
Kimura, Sachiko: Die
Choraltextkantaten Johann
Sebastian Bachs. Kompositorische Struktur und Stellung im Kantatenwerk
(Kassel u.a.: Bärenreiter, forthcoming) 268p.
Bach-Dokumente: Supplement
zur Neuen
Bach-Ausgabe (NBA) Herausgegeben vom Bach-Archiv Leipzig,
Kassel: Bärenreiter-Verlag. Bd 8: Dokumente zur Quellen-Überlieferung
der Musik Johann Sebastian Bachs, 1800-1850, vorgelegt und erläutert
von Peter Wollny. forthcoming.
Jones, Richard D. P.: The
Creative Development of
Johann Sebastian Bach: Music to Delight the Spirit,Volume
2:
1717-1750. (Oxford University Press: 2010)
Stauffer, George B.: J.S. Bach:
The Organ Works (Oxford
University Press, 2011)
Slowik, Kenneth: J.S. Bach:
St. John Passion.
(Cambridge University Press, forthcoming)
Siegele, Ulrich: Taktzahlen der
Präludien und Fugen in Sammlungen mit Tastenmusik von J. S. Bach.
Petzoldt, Martin: Bach-Kommentar
Band 3 - Die
Passionen, Motetten, Messen und Magnificat, geistliche Kantaten
für Kasualien und ohne Bestimmung (Kassel u.a.:
Bärenreiter)
Leahy, Anne: Text-Music
Relationships in the 'Leipzig'
chorales of Bach (Scarecrow)
Oechsle, Siegfried: Johann
Sebastian Bach und der
"alte Styl". Studien zum Vokalwerk (Kassel: Bärenreiter)
Yo Tomita and Richard Rastall: The
Genesis and Early
History of Bach's Well-tempered Clavier, Book II: a composer and his
editions, c.1738-1850 (Aldershot: Ashgate) 2 vols
See
also the
dissertations submitted in
2008,
2009
and
2010
in the database.
Randwijck, Rutger J. C. van: Music
in Context. Four
Case Studies. [Chapter I. Johann Sebastian Bach -- Chaconne
BWV
1004; II. Johann Sebastian Bach -- Cantatas BWV 34a & 34]. PhD
diss., Utrecht University 2008. [viii], 244p
Forthcoming dissertations
Grigsby, Nicholas: "The Lutheran
Chorale in Variation
Form: A Study of Source, Context, Genre, Textural Interpretation and
Compositional Procedure in the Music of J.S. Bach" (PhD thesis, Waikato
University, New Zealand)
Shkolnik, Guy: "The Thematic Potential
and it's
Realization in Selected Fugues of J.S. Bach's Well-Tempered Clavier"
(Tel Aviv University, Israel)
Stange-Elbe, Joachim: Analyse-
und
Interpretationsperspektiven zu Johann Sebastian Bachs ›Kunst der Fuge‹
mit Werkzeugen der objektorientierten Informationstechnologie
(Hab.
Univ. Rostock)
Linnartz, Elizabeth B.: The
Soul/Jesus Allegory in the
Dialogue Cantatas of J. S. Bach. (D.M.A., Vocal Performance,
University of North Carolina at Greensboro)
Haney, David L.: Melodic
Inversion from Zarlino to
Bach: 1550-1750 (Ph.D., Music Theory, Yale University)
Krumbach, Dorothea: Johann
Martin Spieß (Leben
und Werk) (Ph.D, Musicology, Mainz)
Wesche, Jörg Tilemann:Studien zu
Arien in Bachs Kantatenwerk (Ph.D., Musicology, Kiel)
Journal Articles
See
also the
articles published in
2008,
2009
and
2010
in the database.
Oleskiewicz, Mary:
"The Art of the Cadenza:
Improvisation and Composition in Eighteenth-Century Sonatas and
Concertos for Flute," In: Geschichte, Bauweise und Spieltechnik der
Querflöte: 27. Musikinstrumentenbau-Symposion Michaelstein, 6. bis 8.
Oktober 2006. (2008), 237-262
Raybon, C.
Leonard, Jr.: "Jesu, meine Freude: The prodigal's
roundtrip journey." AmerOrganist(2), 43/8 (2009), 48-53
Rose,
Stephen: "A Lübeck music auction, 1695." SchützJb,
30 (2008), 171-190.
Bates, William H.: "J. S. Bach's Fantasy
and Fugue
in G Minor, BWV 542: A Source Study for Organists." Bach,
39/2
(2008), 1-89.
Forthcoming / In
preparation
Dirksen,
Pieter: "Zur Echtheit der Johann Christoph Bach (1642-1703) zugeschriebene
Clavierwerke"
Dirksen,
Pieter: "Dieterich Buxtehude und Johann Sebastian Bach:
Neue
Perspektive'"
Dirksen,
Pieter: "Bachs Toccata’s voor clavecimbel, in
het bijzonder de Toccata in fis-klein (BWV 910)", Het Clavecimbel
Altschuler,
Eric and Noam D. Elkies: "A Tone Row in Bach (a minor
Prelude, WTC Book II)" MTimes
Altschuler, Eric: "Need for Concerted
Performance and
Practice of Bach’s Concerto in d minor for Two Violins (BWV 1043)" MTimes
Altschuler, Eric Lewin:
"Importance of Shifting
and Duality of Emphasis of Note in Bar in the Presto of Bach’s Sonata
No. 1 for Solo Violin (BWV 1001/4)" Musical Times
Altschuler, Eric Lewin:"A
Connection Between J.S.
Bach's Well-Tempered Clavier Book II and the Four Volumes of Bach's
Clavier-Ubung and Signature References in the Clavier-Ubung and
Elsewhere in Bach." Musical Times.
Altschuler, Eric Lewin:"Retrograde
as a Key to
Bach's C Major Two-Part Invention and Bach, Parallelness and
Indefatigability." Musical Times.
Conference Papers
See also the papers read
at conferences in
2008,
2009
and
2010
in the database.
Among c.150 papers scheduled to be presented, the following are of
particular relevance to Bach studies:
Aspden,
Suzanne: '“Dresden ditties” and the feminised gallant'
Bärwald,
Manuel: 'Secular music performances in the Leipzig 1740s'
Black, David:
'Some “New” Bach Documents in Eighteenth-Century Printed Sources'
Corduban,
Michaela:
'Bach as a master of the Musica Poetica. A rhetorical approach to the
Well-Tempered Clavier (Book I): proposition of a formal model '
Crean, Elise:
'The Fourteen Canons: Foundation or Culmination? A re-evaluation of
their position amongst Bach’s late works'
Dirksen,
Pieter: 'Some Observations on Bach’s Organ Sonatas'
Diskin, Kirill:
'The copies of the Well-tempered Clavier by J.S.Albrechtsberger: to his
Bachiana'
Dodds, Michael:
'Ars combinatoria in a Bach Passion Chorus'
Ebata, Nobuaki:
'Four part Chorales of Johann Sebastian Bach's lost sacred
cantatas from Picander Jahrgang'
Estrada,
Erasmo: '“eine cantable Art im Spielen zu erlangen”: some
considerations on spiritual praxis in J.S. Bach’s pedagogical
collections.'
Fazekas,
Gergely: 'Inner Time, Outer Time and ‘Da Capo’ Form.
Structure and meaning in J.S. Bach’s E major violin concerto (BWV 1042)'
Golomb, Uri
and Cohen, Dalia:
'The Crucifixus from Bach’s B-minor Mass: The Reflection of the Work in
Performance'
Herr, Corrina:
'“Buß und Reu”: a symbol of female sinfulness in Bach’s St Matthew
Passion?'
Joyce,
Elizabeth: 'The Baroque and Lutheran Views of the World
Embodied in Bach's Cantata _Was frag ich nach der Welt_ (BWV 94)'
Kovacevic,
Tanja: 'Off the Beaten Track: An Exploration of Bach
Reception in Catholic Central Europe'
Kuhn, Eva:
'Bach was not the First—a Violoncello for Francesco II d`Este, Duke of
Modena'
Leaver, Robin
A.: 'Music in Published Books of Emblems'
Ledbetter,
David: 'Improvisation Practices in Bach’s Instrumental
Music'
Lutterman,
John:
'“Alles, was man unter der Methode zu spielen verstehet, druckt er mit
eigentlichen Noten aus” Changing attitudes toward notation in the
Eighteenth Century: The Scheibe-Birnbaum controversy and Bach’s
notational practice.'
Maul, Michael:
'New Light on the Controversy between Bach and Scheibe and music life
in Leipzig during the late 1730s'
Meyer, Sarah:
'Chorton and Kammerton in the Actus Tragicus: A Performance Practice
Perspective'
Mills, Ian:
'J.S. Bach, the Choralvorspiele and the Late-Eighteenth Century
Aesthetic Notion'
Oleskiewicz ,
Mary:
'The Bachs in Berlin: The Courts of Brandenburg-Prussia as a Background
to Instrumental Works of J. S., W. F., and C. P. E. Bach'
Paczkowski,
Szymon: 'Field Marshall Jakob Heinrich Flemming
(1667-1728) and his musical patronage'
Rathey, Markus:
'A Leipzig Christmas Music from 1685. Traditions and Transformations of
Christmas before Bach’s Christmas Oratorio'
Rifkin, Joshua:
'Blinding Us with Science? Man, Machine, and the Mass in B Minor'
Röder,
Matthias: 'The Permutation Fugue and Johann Sebastian
Bach's Compositional Development'
Rose, Stephen:
'Virtuosos or charlatans? Musical talent and social mobility in the
German Baroque'
Sackmann,
Dominik: 'On the Aesthetics of Perfidia'
Schulenberg,
David: 'An Enigmatic Legacy: The Music of Wilhelm
Friedemann and Bach and Its Relationship to Other Bach-Family Works'
Schwalbach,
Burkhard: 'Coffee, Courtship and Counterpoint in Bach’s
Leipzig: The ‘Goldberg Variations’ and Women’s Clavier Books'
Segev, Idith and
Cohen, Dalia:
'Significant Occurrence in Even Musical Texture in Bach’s Preludes. A
Study Using Mathematical Tools '
Sela, Yael:
'Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's
Musical Training'
Shabalina,
Tatiana: 'Texte zur Music by J. S. Bach and his
Contemporaries: J. A. Załuski and his Role in their Preservation'
Speerstra,
Joel: 'Emblems in Published Books of Music'
Tatlow, Ruth:
'The Goblet of Anise: A Case Study'
Tenkanen, Atte:
'Quantitative Properties of Invertible Counterpoints in Compositions by
Johann Sebastian Bach'
Tomita, Yo:
'The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and
Its Implication'
Wollny, Peter:
'Bach’s Cantata Performances in the 1730s – New Findings, New
Perspectives'
Dirksen, Pieter (ed.): De geheimen van de Matthäus-Passion. Handwerk en mystiek van een meesterwerk (Amsterdam: Uitgeverij Balans, 2010)
Butler,
Gregory G.; Greer, Mary Dalton; Stauffer, George B.
(eds.): About Bach (University
of Illinois Press, 2007)
Johann
Sebastian Bach. Vier Zeugnisse für
Präfekten des Thomanerchores 1743-1749. Faksimile und
Transkription hrsg. von Andreas Glöckner Kassel:
Bärenreiter-Verlag (2009)